Maig 15 a les 20.30 hores

Duo Leonardo de Munich

Violí i piano

Beethoven, Debussy, Prokofieff

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Maig 22 a les 20.30 hores

Monastir Miramar

Grupo folklórico de Bolivia

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5 de juny a les 21.00 hores

Aaron Berofsky, violí

Alfredo Oyagüez, piano

Sonatas de Mozart, Beethoven, Messiaen, Rodrigo

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12 de juny a les 21.00 hores

Esglési de Deià

Jaap Schroeder, violin (Holanda)
Javier Núñez, clavicèmbal
Skalholt Quartet (Islàndia)

Purcell, Vivaldi, Haydn, Bach

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19 de juny a les 21.00 hores

Alexander Hülshof, violoncel

Andreas Frölich, piano

Dvorak, Schumann, Schostakowitsch, Bragato

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Diumenge, 22 juny, a les 21.00 h

Església de Deià

Jar Skoles Strykeorkester

(orquestra juvenil)
Director: Bjørn Vadholm
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26 de juny a les 21.00 hores

l’Esglési de Deià

Joven Orquesta Barroca de Mallorca

Agustin Leon Ara, violin

Telemann, Hindemith, Bach, Mozart

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3 juliol a les 21.00 hores

Camerata de Deià

with Ruben Marques, trompeta

Saint-Saëns, Mozart, Mendelsshon

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10 de juliol a les 21.00 hores

Camerata de Deià

with Andreas Frölich, piano

Dvorak, Mozart y Shostakovitch

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17 de juliol a les 21.00 hores

Pleszkán - Gayer Duo

(Duo de jazz hongarès)
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24 de juliol

Walter Seyfarth, clarinet

Suzanne Bradbury, piano

Estreno de una obra de Carl Mansker

Brahms, Beethoven

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31 de juliol a les 21.00 hores

Monestir de Miramar

Marcelino López Domínguez, piano

obres a determinar
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7 d’agost a les 21.00 hores

Ensemble Image

Quinteto de Viento

Obres deTheodor Blumer, i del compositor turc Yalçin Tura

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14 d’agost a les 21.00 hores

Duo Forteza-Nieto

Clarinet i piano

Widor, Pierné, Yuste, Debussy

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21 d’agost 20.30 hores

Emmanuel Bleuse, cello
Miriam Bleuse, piano

Beethoven, Fauré, Chopin, de Falla

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28 d’agost 20.30 hores

Monastir Miramar

Iván Martín, piano sol

Obres per determinar

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4 de setembre 20.30 hores

Leonid Yakon, violin
Nigel Carter, trompa
Suzanne Bradbury, piano

Khaçaturian, Carter, Brahms
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11 de setembre 20.30 hores

Trio Jovenes Interpretes Baleares

Catalina Reus, violí
Rosa Canñellas, violoncel

Turina, Beethoven, Brahms

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18 setembre 20.30 hores

Moscow Piano Quartet

Haydn, Taneiev, Brahms

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Grups Mallorquins en el Festival de Deià
Orquestra Simfònica de Palma
Camerata Sa Nostra
Pro Arte
Studium
Quartet de Corda Opus 18
Jove Acadèmia Instrumental
Aires Sollerics
Septet de l’Orquestra Simfònica
Quintet de Vent de l’Orquestra Simfònica
Syntagma Cuarteto Vocal

Compositors Mallorquins en el Festival de Deià
A. Lliteras - Arias
B. Samper - Cançons
Torrandell - Duos i Trios
Tintorer - Quartetino, Quartet, Trio
Josep Prohens - peces per a piano
Capllonch - Quartet i Cançons
Mas Porcel - Cançons i obres per a piano
Bartomeu Artigues - sonata per a flauta, i Song of Creation
Joan Mª Thomás - obres per a cor, obres per a piano

Artistas Internacionals
Brodsky Quartet
Amati String Quartet
Quintet de Vent de la Sinfónica de Berlín
Trio Shostakovitch
Quartet “Camerata de Varsovia”
La Orquestra de Cambra KREMLIN
New American Chamber Orchestra
Quatuour Loewenguth
Suzanne Husson, pianista
Quartet Silvestri
Mark Drobinsky
Irina Edelstein
Wolfgang Leibnitz
Alexander Malter
Christoph Coin
Moscow Piano Quartet
Victor Yoran

One of the aims of the Deià Festival is to commission new works on themes related to Deià, Mallorca, or other suitable themes. These works are usually to be written for chamber music formations, since the venues of the Festival do not admit large groups.
Here are the works that have been composed up to 1999.

Other Composers of Special Interest
and their works played in the Deià Festival

One of the distinguishing features of the Festival Internacional de Deia is the exploration of seldom heard Classical, Romantic, and Post-Romantic composers, as well as some of the more accesible contemporary music.
In the 1999 season, for instance, we heard the two piano quintets of Ernö von Dohnányi, a delightful surprise for listeners unacquainted with his music. Long musical lines, beautiful melody, distinctive harmony and strong rhythmic impulse. The audiences - the pieces were played on different dates the first by a group from Berlin, the other by a group from Munich.
Here are some of the composers featured over the years:

Samuel Coleridge-Taylor (1875-1912)
Piano Trio
Piano Quintet
Nonet - Piano, Strings, Winds

Dohnányi was one of the great pianists of all history, according to the Grove Dictionary of Music. He was one of the first to recognize Bartok as a great composer. He was director of the Budapest Conservatoire until Nazi sympathizers forbade Jewish musicians to teach or play in the symphony, when he left for Vienna, then Switzerland, and finally, by way of Argentina arrived in the United States. Until his death during a recording in New York at the age of 87, he was teaching in the Florida State University at Tallahassee, Florida.
He followed the great Romantic tradition throughout his life, but with his own vivacity and humor.

Com a pianista Ernö von Dohnányi era un dels grans de la història, segons el Grove Dictionary of Music. Bartók deia el 1919 que Dohnányi duia el pes de tota la vida musical d’Hongria (120 concerts en un any) i ell, amb Kodaly i Weinar en formaven un grup de seguidors. Dohnányi era el primer a reconèixer el geni de Bartók, dècades abans que els altres.
Va dimitir com a director del Conservatori de Budapest en protesta contra les noves lleis antisemites. Va protegir tots els membres jueus de la seva orquestra fins dos mesos després de l’ocupació alemanya. Va fugir a Àustria, llavors va anar a l’Argentina, i finalment va anar a parar a Tallahassee a la Florida. Va acabar la seva vida musical a l’edat de 87 anys enregistrant un disc a Nova York.
Com a compositor, al començament i fins al seu Trio Op. 10, va demostrar la forta influència de Brahms i Schumann. En trobar el propi estil, va decidir no obrir camins nous i es va concentrar expressant tot el llegat del Romanticisme en les formes perfectes del segle XVIII. No són rèpliques, segons el crític Bälint Väzsonyi; la seva música és vivaç, lírica, amb un pols d’humor molt propi.

Salvador Brotons
Sonata for Violin and Piano
Sonata for Viola and Piano
Sonata for Clarinet and Piano
Sonata for Flute and Piano

Brotons More Info on the Web
Brotons Bio

Armando José Fernandes (Lisbon 1906)
Piano Quartet

Armando José Fernandes studied at the Conservatoire of Lisbon with Colaço and Varela Cid (piano), and with Fritas Branco and Costa Ferreira (composition). In Paris he continued his studies with Nadia Boulanger, Paul Dukas, Roger-Ducasse and Alfred Cortot.

Armando José Fernandes va estudiar al Conservatori de Lisboa amb Colaço i Varela Cid (piano) i amb Fritas Branco i Costa Ferreira (composició). Va ampliar els estudis a París amb Boulanger, Dukas, Roger-Ducasse i Cortot. Va escriure la majoria de les obres per a la Ràdio Nacional de Portugal. En la seva composició hi ha un tendència a una concentrada i íntima expressió i, per això, prefereix la música de cambra. Les seves formes tenen una base clàssica però flexible; els seus temes solen tenir influències populars.

George Chadwick
Piano Quintet

George Chadwick gained success very young with his String Quartet Nº 2 and his overture Rip Van Winkle. He then studied in Munich with Rheinberger. Returning to the United States he soon became the director of the New England Conservatory. He was of rural stock, a high- school dropout, and a vagabond scholar, and was hardly a stereotype. In his best works he was a pioneer in freeing American music from German conservatory style. After popularity before the onset of World War I, he fell into neglect when musical fashion changed in favor of the younger Americans of the 1920´s.
George Chadwick ja va tenir èxit de molt jove amb el seu Quartet de corda núm. 2 i amb la seva obertura Rip Van Winkle. Després va estudiar a Munic amb Rheinberger. De retorn als Estats Units aviat va esdevenir director del Conservatori de Nova Anglaterra. Era d’origen rural, havia abandonat els estudis superiors, i era un savi vagabund, tot menys que un estereotip. Amb les seves millors obres va esser un pioner alliberant la música americana de l’estil dels conservatoris alemanys. Després de la popularitat que va tenir abans del començament de la Primera Guerra Mundial va caure en l’oblit quan l’estil musical va canviar en benefici dels joves americans de la generació dels anys vint.

Georgy L’vovitch Katuar [Georges Catoire] (Moscow 1861-Moscow 1926)
Piano Trio
Piano Quartet

Katuar was born in Russia of French parents. He graduated from Moscow University in Mathematics, but then dedicated his whole life to music. He studied piano in Berlin with Klinworth, and studied composition with Tirsch, Rufer, and Rimsky-Korsakov. He also received private instruction from Tanayev and Arensky. From 1919 until his death he was professor of composition in the Moscow Conservatoire.

Compositor i musicòleg va néixer a Rússia de pares francesos. Graduat de la Universitat de Moscou en matamàtiques, va dedicar la seva vida totalment a la música. Va estudiar piano a Berlín amb Klinworth, i composició amb Tirsch, Rúfer i Rimsky-Korsakov i va consultar també Tanayev i Arensky. Des del 1919 fins a la seva mort va esser professor de composició al Conservatori de Moscou.

Alexis de Castillon (Chartres 1838-Paris 1873)
Violin Sonata
Piano Trio
Piano Quartet
Piano Quintet

Alexis de Castillon, Viscomte de Saint Victor, va estudiar amb V. Massé, però decebut, va acudir a Cesar Frank, guiat pel qual va escriure el seu Quintet amb Piano. Va designar aquella obra amb el nom d’Opus 1 i en va destruir totes les seves composicions prèvies. Va esser uns dels primers compositors francesos del segle passat que varen cultivar la música absoluta i també va esser un dels fundadors de la Société Nationale de Musique. Aquesta sonata, Opus 6, està dedicat al seu amic, E.M. Delaborde

Alexis de Castillon, Viscomte de Saint Victor, studied with V. Massé, but, becoming dissatisfied, went to César Franck, under whose guidance he wrote his Piano Quintet, designating that work his Opus 1, and destroying all previous compositions. He was one of the first French composers of the last century to cultivate absolute music, and was one of the founders of the Société Nationale de Musique. The Opus 6 violin sonata is dedicated to his friend E.M. Delaborde.
Castillon definitely has his own voice, and when you have heard his six songs for voice and piano, you will hear his signature phrases in all the other pieces. He has haunting themes hidden in the midst of the bombast of the epoch.

“…what many, not only in Italy, but elsewhere, have long attempted in vain.”
-Ottaviano dei Petrucci to the Duke of Venice 1498

Named after the famous printer of musical scores, Ottaviano dei Petrucci (18 June 1466 - May 1539), the Petrucci Project is about digitalizing the wealth of music in libraries and archives around the world which was never published, or is long out of print, virtually inaccessible to most musicians.

Musicologists, students, and institutions are already scanning or photographing printed musical material, and entering data for manuscripts too fragile for lending or photocopying. Already many works have been transcribed with several of the powerful programs now available for notating and editing music, including Finale,Score, and Sibelius.

Soundpost Publishing has already edited many previously unpublished works, now available in hard copies or in PDF format.  A partial list is below.  For a more complete list with prices, contact meadows_patrick@yahoo.co.uk.
Among other works, these are avalable: the Six Quintets by Padre Soler for organ or harpsichord and string quartet, now available fromSheetMusicNow , a Piano Trio by W.W. Gilchrist, the piano music and lieder by the late Mallorcan composers Jaume Mas Porcel and Bernardo Torrandell, a Te Deum for coro y orquesta del compositor mallorquin/catalan Pedro Tintorer, as well as other music, in score and parts.

Another recent project is the Grosses Stücke for 2 pianos by Franz Liszt, based on Songs without Words by Mendelssohn. The work is dated 1834, and was first performed that year by Chopin and Liszt.  This edition is based on the Manuscript at the Schiller-Goethe Archive in Weimar.

Alice Mary (White Meadows) Smith (1839-1884) wrote 4 piano quartets, of which I have engraved. Nº2 in E-flat, Nº 3 in D Major, and Nº 4 in G Minor.  If I had to characterize the music in a few words, I would have to agree with a quote in Cobbett´s Survey of Chamber Music: “Her forms were always clear and her ideas free from eccentricity; her sympathies were evidently with the Classic rather than the Romantic school. There is something of Mendelssohn in the piano part.”

In 2009 I finished Arthur Foote’s Concerto in G Minor for Violoncello and orchestra.

Elfrida Andrée

(Visby 1841 - Göteborg 1929)
PIANO QUARTET
[Furore Edition 365]
STRING QUARTET
[Furore Edition 369]
VIOLIN SONATA
[Furore Edition 381]

J. H. Beck

(Cleveland 1856 - Cleveland 1924)
STRING QUARTET

Miguel Capllonch

(Pollença 1861 - Pollença 1935)
STRING QUARTET

Samuel Coleridge-Taylor

(Holborn 1875 - Croydon 1912)
NONET pianoforte, strings, and winds
PIANO QUINTET
PIANO TRIO
SYMPHONY IN A MINOR
HAITIAN DANCES (already in print as Novelletten, in 4 movements; “Haitian Dances” includes a 5th movement from the MS in The Royal College of Music in London. The 1st violin part is titled Haitian Dances; the other parts are called Novelletten)

Thelma, or The Amulet, A Grand Opera in 3 Acts.

Phillip Schwarenka

ARKADISCHE SUITE for Orchestra

Max Bruch

Intermezzo (a previously missing movement from his Symphony Nº 1)

Paul Dukas

OVERTURE du drame de Goethe “A GOETZ de BERLICHENGEN” (1884. Previously thought destroyed)

Frederic Cliffe

VIOLIN CONCERTO IN D MINOR

Jaume Mas Porcel

( Palma de Mallorca 1909 - Alicante 1993)
SONGS
COMPLETE PIANO SOLO WORKS

Padre Antonio Soler

(Olot 1729 - El Escorial 1783)
SIX QUINTETS FOR KEYBOARD AND STRING QUARTET

Pere Tintorer

(Palma de Mallorca 1814 - Barcelona 1891)
2 PIANO QUARTETS
TE DEUM
(for the birth of the son of Napoleon III)

Franz Liszt

Grosses Konzertstück
für 2 pianos
über Mendelssohns Lieder ohne Worte

Antoni Torrandell

(Inca 1881 - Palma de Mallorca 1963
VIOLONCEL i PIANO
Sonata, op. 21
Allegro - Andante - Scherzo - Finale
Serenata Española

VIOLÍ i PIANO
Deux Pièces, op. 37
Le Chant du laboureur
Les Boleros
Le Chante de l’élagueur, op. 42/I Copeo, op. 42/II
Sonatine Majorquine, op 43
Resquell - Allegretto
Vida triste - Andante calmo
Danza - Allegro

VIOLÍ, VIOLONCEL, i PIANO
Nativité, op. 34
Andante calmo
Allegro ma non troppo
Sommeil Paisible, op. 39

Mallorca, op 41
Larghetto
Allegretto
Allegro

SOPRANO, VIOLONCEL, i PIANO
Berceuse pendant la tempête , op. 35

SOPRANO, VIOLÍ, VIOLONCEL, i PIANO
L’Humble Chapelle, op. 40

SOPRANO, VIOLÍ, VIOLA, VIOLONCEL, i PIANO
Suprême espoir, op. 36
Desolation
Consolation
Espoir

The above scores now available directly from Soundpost.

In preparation:

Nonet by W.W. Gilchrist

Piano Quartet by W.W. Gilchrist

-Patrick Meadows